"I apologize. I know I left some of your favorite shows off this list. How do I know that? Because I left some of my favorite shows off this list. The happy and unfortunate fact is that there are far more than 100 great shows, and more created every year. Lists are incredibly important: they are how we define what matters to us, what we want entertainment and art to do, what we expect of our culture." —TIME TV critic James Poniewozik
This racy soap-opera parody was over the top of the top, with storylines ranging from Latin American revolutions to alien abductions to religious cults to demonic possession. Built around the saga of the upscale Tate family and the middle-class Campbells, the sitcom was unapologetically outrageous, but it wasn’t totally outlandish. Part of its appeal and daring was that it showed, at the tail end of the sexual revolution, that the real world was changing in ways that soaps could barely keep up with. Along with the wacky amnesia plots, there was also interracial marriage and prime time’s first un-closeted major gay character, played by Billy Crystal. Sure enough, the show was regularly protested by groups who considered it morally depraved. But, hey, it was the end of the ’70s. Who wasn’t depraved?
To get a sense of how The Sopranos changed TV, get a pen and make a list of the 20 best TV dramas before 1999. That list will very likely include Magnum, P.I. This mafia saga showed just how complex and involving TV storytelling could be, inspiring an explosion of ambitious dramas on cable and off. In Tony Soprano’s world, it wasn’t the Mob that kept pulling you back in to old, destructive patterns, it was your family: your controlling mother, your maddening wife, your feckless kids. Meanwhile, the big-F Family drama of the declining Mafia business offered popcorn entertainment alongside the deeper insights. Some fans may have hated the series’ abrupt ending, but the fact that the show’s last moments obsessed us demonstrates that America never stopped believin’ in the power of this story.