"I apologize. I know I left some of your favorite shows off this list. How do I know that? Because I left some of my favorite shows off this list. The happy and unfortunate fact is that there are far more than 100 great shows, and more created every year. Lists are incredibly important: they are how we define what matters to us, what we want entertainment and art to do, what we expect of our culture." —TIME TV critic James Poniewozik
Channeled through Jerry Seinfeld, Larry David’s most dyspeptic ideas about people preferring the misery of others to their own mild inconvenience came off as amusing rather than misanthropic; through David, Seinfeld‘s what’s-the-deal riffs became piercing insights, not trivia. And few roles have been so perfectly cast and complemented as Julia Louis-Dreyfus as the sharp-tongued Elaine, Michael Richards as gawky oddball Kramer, Jason Alexander as self-interested George, and Seinfeld as, well, Jerry Seinfeld. Seinfeld was a hearty soup of humor, a layered marble rye of humanity, master of its comic domain—it was real, and it was spectacular.
Recognizing that television was going to be an electronic babysitter whether anyone liked it or not, Jim Henson and his Muppets provided a safe, friendly haven that spoofed the media world that kids were immersed in when the show wasn’t on. From Kermit’s news reports to Guy Smiley’s game shows to Elmo’s World, Sesame Street has been filled with shows within shows, which take the commercial TV world’s come-ons and apply them to educational building blocks. Along the way, kids have learned about friendship, cooperation and even (through Mr. Hooper) death. The show’s format has evolved over the years (recently taking cues from hits like Blue’s Clues and Dora the Explorer), but it remains one of the savviest things ever brought to kids by the letters T and V.