"I apologize. I know I left some of your favorite shows off this list. How do I know that? Because I left some of my favorite shows off this list. The happy and unfortunate fact is that there are far more than 100 great shows, and more created every year. Lists are incredibly important: they are how we define what matters to us, what we want entertainment and art to do, what we expect of our culture." —TIME TV critic James Poniewozik
Never was a more unlikely comic adapted so effectively to a sitcom as Redd Foxx. Foxx, whose stage act liberally employed words and references that you still can’t use on broadcast TV, was cleaned up, but not smoothed over, as junkyard proprietor, serial over-actor, widower and ornery cuss Fred Sanford. But Foxx’s transition to TV wouldn’t have worked without the understated work of Demond Wilson as his son Lamont. Lamont was the suffering grown-up, dreaming of building up the family business (or ditching it and moving out) and chafing at having to keep Fred out of trouble. Fred was the manipulative child, having another in a series of “heart attacks”—”I’m coming to join you, Elizabeth!”—when he needed sympathy. Sanford and Son may not have played to the champagne crowd, but it went down like a smooth glass of champipple.
Bill Murray, Chevy Chase, Chris Farley, Dan Aykroyd, Dana Carvey, Eddie Murphy, Gilda Radner, Jane Curtin, John Belushi, Mike Myers, Phil Hartman, Seth Meyers, Tina Fey, Tracy Morgan, Will Ferrell
For its first couple of years, SNL was a genuine comedic rebellion, with the like of John Belushi affecting a rude mid-’70s punk-rock pose. With success, SNL went from playing CBGB to stadiums, but as the Eddie Murphy, Mike Myers and Tina Fey peaks proved, mass success doesn’t always mean the death of funny. SNL is not really a TV show anymore so much as a graduate school of American comedy, and it’s been as significant for the kind of artists it didn’t know what to do with (Chris Rock, Sarah Silverman) as for the stars it effortlessly launched (Will Ferrell, Adam Sandler). And every now and then it proves it can still matter, as when Rudolph Giuliani joined producer Lorne Michaels for the show’s pitch-perfect return after 9/11. (Michaels: “Can we be funny?” Giuliani: “Why start now?”) Like a land shark, or a certain organ in a box, SNL can still surprise you.
The Grammys honored Houston in the awards themselves, which showcased forceful women who had dominated the year in music, and reminded us of her TV influence as American Idol’s diva ideal.
The readers of TIME.com are choosing the BEST Best Picture of All-TIME. Come back every day to vote on a different match-up, and take a look at the full bracket.
From Nicki Minaj’s Red Riding Hood getup to Katy Perry’s head-to-toe blue ensemble, TIME rounds up some of the best (and worst!) sartorial choices at the annual music awards show.