Tuned In

John from Cincinnati Watch: Perfect Parallelism

butchandjohnweb.jpg
HBO

I received three episodes of JFC for review, so at this point you’re caught up with me. If you’re still watching, which I realize is a big if.

Looking back at my notes, this is the point at which I threw up may hands over the plot, conceded that the show was confounding, self-indulgent and possibly a folly–and yet still wanted badly for the show to work, wanted some semblance of an organic story to emerge so that I could enjoy being in the presence of David Milch’s writing. (I realize that I sound exactly like all the Aaron Sorkin fans last fall willing themselves to believe that Studio 60 could be good. And yes, I do recognize the irony.) By episode 3, in fact, my notes are mainly one line of dialogue after another.

* Steady Freddy to Bill: “Retired cops don’t get my name, what time it is, or pissed on if they go up in flames.” Do you know what that is, my friend? That is a perfectly parallel construction!

* Mitch on competitions: “That’s not surfing… That’s flapping your fins for an audience. That’s letting dipsh_ts define you by numbers so other dipsh_ts can compare you to other numbers so other dipsh_ts know who to pay to wear their sunglasses so the dipsh_ts at the malls know which ones to buy.”

* Barry entering room 24 of the motel, where apparently his “deflowering” years ago involved the song “You Light Up My Life”: “Do you hear the dead man singing within, gentlemen? … I alone, then, am favored by that jovially croaking postcoital falsetto winsomely caricaturing Debby Boone?”

* And finally, Garret Dillahunt’s doctor on Seanie’s recovery: “Which brings us face to face with possibilities that I’ve been told deserve no more than a friendly pat on the head.”

Is this enough to keep me going? Because that’s all the series is giving me to this point. (That, and Butchie’s having transdermal horn implants in his head.) JFC frustrates me because it may be the most disappointing show on TV right now, and yet if it could develop a solid, character-driven story it could be the best show on TV right now. (Again, a big if.) So many moments–like Seanie skateboarding like a slacker angel at the end of the episode–probably would be as stunning and transcendent as Milch obviously means them to be, if only they had been earned, like the apocalyptic notes in Angels in America, by a believable narrative and characters.

For now, I feel like Kai, in her scene tonight with John: David Milch, like John, is telling me to “See God” and force-filling my head with visions. He wants me to feel the presence of the divine. But all I feel is perplexed and ready to pass out. Work with me, David. I want to believe.

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  • Chaddogg

    James, as strange as JfC has been…..where is the Flight of the Conchords watch?! Between the “Pros v. Cons” list comparing Bret and a tape (The tape was more compact and would save on subway charges, but Bret was “alive”), the delightfully awkward scene with Mel in the car while her husband drove in the front seat(seriously, she’s the breakout star of this show), Bret’s career (as Jermaine noted, Bret was doing something “a light post could do”), and Murray’s instructions for safekeeping of the tape (“Don’t walk by any giant magnets” Jermaine – “When would I walk by a giant magnet?” Murray – “I don’t know what you do in your personal time”)…..this show delivered AGAIN. Winsome, hilarious, and charming in an innocent way….perfect sorbet after Entourage….

  • BeerBaron

    JfC is definitely keeping me interested; I’m actually a little angry that HBO isn’t putting the episodes OnDemand a week before they air, as they did with Episode 2. I loved the “animate or inanimate?” bit, even if I’m not sure how the events at the motel are related to anything else. I’m glad someone finally acknowledged that John acts like a special needs child. And was that Muse at the end covering Nina Simone’s “Feeling Good”? It definitely worked. And the “horn implants” somehow went right over my head; I had no idea what was going on there.

    I agree with everything said about Conchords. Even the simplest jokes work, like Bret trying to tell a girl his name (but pronouncing it “Brit”), or hesitating before telling her that they have vikings in New Zealand. The songs didn’t do much for me this week, but it looks like the next episode features my favorite FotC song – “Think, think about it”

  • James Poniewozik

    @chaddogg: I dunno… the thing is, I love FOTC, and there are bits in it that keep popping to mind and cracking me up weeks after I watched them, but it’s hard to do a regular Watch of a non-serial comedy. I feel like every post would be, Wasn’t this funny? And wasn’t this? But I’ll probably post more about it occasionally over the summer.

  • Chaddogg

    I totally understand….not necessarily watch worthy, but perhaps a combo watch with Entourage?

    And BeerBaron, I’m just hoping they work “Hilarious Misunderstanding” into the show at some point….arguably FOTC’s greatest song (“If I recall it was something like but not necessarily Schindler’s List.”…”It was Police Academy 4.”)

  • http://www.sunkenanchor.com John

    It will be interesting to see what next week’s episode is like. For me this one was the weakest of the three [although I still liked it], but it’s easy to see why HBO sent you three episodes, James — the first three eps sort of have a mini-cycle of their own, with the arc of Seanie’s competition/injury/resurrection. Almost like the three eps were an extended pilot. I’m hoping for a bit of a reboot next week, and I wanna see more of John do things other than learn how to bone.

  • Sal

    Regarding your third ‘note’ above:

    This is a reference to the movie “Happiness”; a film which explores child molestation, among other things. One of its main characters is seduced by a con-man who then sings her ‘You Light Up My Life’ post-coitally in a voice that could be most definitely described as a “jovially croaking falsetto”. Watch the scene from “Happiness” and there’s no mistaking the reference.

  • Rob from Venice Beach

    Hi James, I have to say that I “think” I really like this show. One of the things that I actually like about it is the fact that I’m “not sure” that I really like it yet. I’m a professional film editor and also a surfer. I think it’s pretty daring to create a show, that by the end of the 3rd episode, still hasn’t taken more shape. I usually simply watch a series because I know that I “like” it (Soprano’s for example). This show however, gives me just enough to make me look forward to sitting on the “jury” for the next episode. It’s admittedly an odd anticipation but it definitely keeps itself in the forefront of my mind in a way that other show, for me, ever has. (for example, I’ve never visited a Soprano’s blog). I will go ahead and offer this judgment… On the surfing side, this series has, thus far, been fairly unsatisfying. It’s definitely weighted more towards a sleazy and pathetic side of this wonderful and sport/recreation. It’s an uphill battle for Shawny Yost to simply do his thing. Perhaps this is one of the reasons I keep coming back for more. Perhaps I’m awaiting some “redemption” here as well. Perhaps, I’m longing to share the emotional release that I know the waves offer. Although, as a surfer, I selfishly hope this series doesn’t pass the test. The waves are already much too crowded. :)

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