Though his health was poor and, heaven knows, he didn’t need the money, the 20th century’s great classical actor just kept working throughout the 70s, ornamenting his Shakespearean resume with movie turns as Nazis and Nazi-hunters. This time he’s on Hitler’s side, playing an evil doctor who, in New York 30 years after the war, needs to extract a piece of information from an innocent grad student (Dustin Hoffman). Only one way to do that: painful dentistry. Olivier’s repeated question “Is it safe?”, posed as he places an instrument of torture in the strapped-down Hoffman’s mouth, became the decade’s catchphrase for pain.
This bad man is no man at all. He’s a machine: sturdier than a tall building, able to break supporting players in his bare hands, shooting middle-aged ladies on sight, laying waste to entire police stations. He has taken a trip back through time, landing in 1984 (a favorite year for dystopian science fiction) on a mission to reverse the history of the 21st century, to perform a “retroactive abortion” on a woman destined to give birth to the next millennium’s Savior. With his choppy hair, cryptic shades and state-of-the-80s leather ensemble, the cyborg looks like the Incredible Hulk gone punk in this lean, smart, wonderful thriller. In two sequels the creature became the heroine’s helpmate, and almost cute — call him Termie. That’s a little tragedy for connoisseurs of movie villainy. Nothing worse than when a bad guy goes good.
It’s Fashion Week in New York City and Manhattan is crawling with eccentric designers, stylish socialites and hungry models looking for next season’s big trend. It seems that our invitation to Marc Jacobs’ show got lost in the mail, so to console ourselves we’ve put together a stylish Spotify playlist.
TIME remembers the legacy of Don Cornelius by looking back at the TV shows that brought — and still bring — a rich trove of music into the living rooms of America
In light of the Material Girl performing at Super Bowl XLVI, TIME takes a look at her life and career, both of which have been lived firmly in the public eye.