The album may be dead, but it's certainly not forgotten. TIME's critics have chosen the 100 greatest and most influential musical compilations since 1954.
In 1994, DJ Shadow (a.k.a. Josh Davis) locked himself in his basement with a sampler, a sequencer and one of the world’s strangest record collections. Two years later, he emerged with a completely original electronic symphony. The 13 tracks vary in length and tone—some are beat driven and under a minute while others have orchestral swells and stretch to almost ten—but all are constructed entirely from samples, and the only voices are from obscure spoken word and comedy albums that sound like they’re being beamed from outer space. Somehow a narrative emerges, and on “Building Steam With a Grain of Salt,” we even get autobiography by proxy. “I’d like to just continue to be able to express myself,” says a self-taught drummer through the fuzz and pop of vinyl scratches, “as best as I can.”
Tossers, wankers—pick the derisive British term of your choice. The Gallagher brothers (Liam on vocals, Noel on guitar) spent the 90s getting arrested, yelling at each other and warring with Blur’s Damon Albarn over the very important matter of which band was Britain’s best. But for 12 songs they came as close as anyone to combining the tunefulness of the Beatles with the attitude of the Stones. From “Wonderwall” (a title taken from an obscure film scored by George Harrison) to “Don’t Look Back in Anger” to the epic arena rawk of “Champagne Supernova,” all of Noel’s compositions swell perfectly at the chorus, and Liam, whose voice is a no-frills vessel for carrying a tune, knew how to turn each song into a sing-a-long.
Sue me, but I like Betty Draper/Francis as a character. The problem is that Mad Men doesn’t. Betty’s not the worst character on the show, but she’s probably the worst-served.