The album may be dead, but it's certainly not forgotten. TIME's critics have chosen the 100 greatest and most influential musical compilations since 1954.
It is one of rock’s least-likely masterworks. Van Morrison had made a name for himself as the lead singer of the Belfast bar band Them, which achieved immortality with the garage anthem “Gloria.” He then signed a solo deal in the US, skimming the Top Ten with the irresistible singalong “Brown-Eyed Girl,” but he dismissed the album that came from those sessions. Signing with Warner Bros. Records, Morrison then assembled a bunch of jazz-based players, took them into a New York studio, and emerged two days later with Astral Weeks, a languid, impressionistic, utterly gorgeous song cycle that sounded like nothing he had done previously — and really, nothing anyone had done previously. Morrison sings of lost love, death, and nostalgia for childhood in the Celtic soul that would become his signature. Astral Weeks didn’t reach the charts, but its mystic poetry, spacious grooves, and romantic incantations still resonate in ways no other music can.
The end had already begun. The Beatles’ manager Brian Epstein was dead, and (other than George) they felt burned by their visit with the Maharishi. In the middle of these sessions, Ringo was the first Beatle to temporarily quit the band. Most of these thirty songs were recorded by various subsets of the group, who were seldom all in the studio at the same time. Producer George Martin fought hard to edit the project down to a consistent single album, but the Beatles were right to keep the scraps, experiments, and jokes — the tension and confusion of the time became central to The Beatles (which was originally called A Doll’s House, a fitting title for its odds-and-ends feel). The album’s curious, unique genius reveals the Beatles at their hardest (“Helter Skelter”), softest (“Julia”), and weirdest (“Revolution 9″).
Sue me, but I like Betty Draper/Francis as a character. The problem is that Mad Men doesn’t. Betty’s not the worst character on the show, but she’s probably the worst-served.