A novel of great power that turns the world upside down. The Nigerian novelist Achebe reached back to the early days of his people’s encounter with colonialism, the 1890′s, though the white man and his religion make an impression upon the story only in its later stages. Instead of being treated as onlookers to the arrival of the colonial power, either passive or menacing, here the Africans are center stage, capable all the while of nobility but also cruelty, wisdom and bewilderment. Okonkwo is an ambitious man within the Umuofia clan of the Igbo tribe. Determined to be a lord, he observes its rules, even the harshest of them, though that observance will eventually drive away his own son. Achebe guides us through the intricacies of Igbo culture, its profound sense of justice, its sometimes murderous rules, its noble and harmful machismo. By the time the British colonial administrator arrives towards the end of the book to dismiss the natives as savages, we know how profoundly mistaken that word is.
It would have been very easy to write a novel about a rape trial involving a black man and a white woman, set in the deep, deeply racist South and seen through the eyes of a young girl, that wallowed in too-simple choices and made-for-TV-movie sentiment. Thankfully that novel is not To Kill a Mockingbird. The young girl is the curious, clear-eyed Scout, and her father, who defends the accused, is the immortal Atticus Finch, a pillar of weary small-town righteousness. What follows is neither simple nor sentimental, but is instead a classic of moral complexity and an endlessly renewable fund of wisdom about the nature of human decency.
It’s Fashion Week in New York City and Manhattan is crawling with eccentric designers, stylish socialites and hungry models looking for next season’s big trend. It seems that our invitation to Marc Jacobs’ show got lost in the mail, so to console ourselves we’ve put together a stylish Spotify playlist.
TIME remembers the legacy of Don Cornelius by looking back at the TV shows that brought — and still bring — a rich trove of music into the living rooms of America
In light of the Material Girl performing at Super Bowl XLVI, TIME takes a look at her life and career, both of which have been lived firmly in the public eye.