It’s a novel that has its sources in history — the only sustained slave revolt in American history, an 1831 uprising led by Turner, an educated slave who led a group of fellow escapees on a bloody trail through southeastern Virginia. Before they were stopped, just short of seizing an arsenal, they had killed about 60 whites. And before he was hanged, Turner dictated a final testament, a document that still exists. But Styron’s book is not that one. It’s an invented version of that text, one ringed with bitterness and fire. He plumbs the mind of a man who believed himself ordained to slaughter whites in retribution for the ordeals of slavery, but who found himself nearly incapable of putting in the blade. Turner as Styron imagines him is not a plaster saint, not a cardboard monster. He’s a man, one whose ferocious yearnings were formed in the cauldron of a hateful institution.
If family is a machine for making you crazy, has there ever been a machine better oiled than the Lamberts? The elderly father, Alfred, is a retired railway engineer sliding into the mental and physical chaos of Parkinson’s disease. Wife Enid fashions ever more ingenious varieties of denial. Son Chip is helping con men in Lithuania. His brother Gary is consoling himself with booze for the miseries of his own disintegrating home life. Their sister Denise, in the time she can spare from her career as a celebrity chef, makes reckless thrusts into other people’s marriages. Their miseries are an opening onto the larger discontents of the society that they—we—live in, but Franzen keeps his terrible focus on the family. This can be a very funny book in places, but the laughs come hard, very hard.
It’s Fashion Week in New York City and Manhattan is crawling with eccentric designers, stylish socialites and hungry models looking for next season’s big trend. It seems that our invitation to Marc Jacobs’ show got lost in the mail, so to console ourselves we’ve put together a stylish Spotify playlist.
TIME remembers the legacy of Don Cornelius by looking back at the TV shows that brought — and still bring — a rich trove of music into the living rooms of America
In light of the Material Girl performing at Super Bowl XLVI, TIME takes a look at her life and career, both of which have been lived firmly in the public eye.