“I am a camera with its shutter open.” There is something unmistakably 20th Century about this, the opening line to Goodbye to Berlin. In their coolness and clarity and melancholy detachment these words express more about a moment in time than most entire novels do. Berlin Stories is not quite a novel; it’s actually two short ones stuck together, The Last of Mr. Norris and Goodbye to Berlin. But they form one coherent snapshot of a lost world, the antic, cosmopolitan Berlin of the 1930′s, where jolly expatriates dance faster and faster, as if that would save them from the creeping rise of Nazism. One of Isherwood’s greatest characters, the racy, doomed Sally Bowles, took center stage in the book’s musical adaptation, Cabaret, but the theatrical version can’t match the power and richness of the original.
“I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be.” This sentence, from the first paragraph of The Big Sleep, marks the last time you can be fully confident that you know what’s going on. The first novel by Raymond Chandler, who at the time was a 51-year-old former oil company executive, is a mosaic of shadows, a dark tracery of forking paths. Along them wanders Philip Marlowe, a cynical, perfectly hard-boiled private investigator hired by an old millionaire to find the husband of his beautiful, bitchy wildcat daughter. Marlowe is tough and determined, and he does his best to be a good guy, but there are no true heroes in Chandler’s sun-baked, godforsaken Los Angeles, and every plot turn reveals how truly twisted the human heart is.
New system launch games are usually pretty dismal — look at what happened to the Nintendo 3DS — but the PS Vita’s looks unusually promising. Here’s a rundown of the seven Vita games we’re most looking forward to (and why).
In light of the Material Girl performing at Super Bowl XLVI, TIME takes a look at her life and career, both of which have been lived firmly in the public eye.