Jim Dixon doesn’t feel lucky. He’s a junior lecturer at a no-account college in provincial England. His daily life is a litany of hilariously (from our perspective, anyway) petty humiliations at the hands of his superiors—notably the odious, conceited Professor Welch—his students and his co-dependent sort-of-girlfriend Margaret. Jim may be the single bitterest character in all of English literature; Amis certainly crafts the most brutally accurate description of a hangover ever written. A punishingly, viscerally funny attack on hypocrisy and self-importance in all their many and varied forms, Lucky Jim gave rise to much of the angry-young-man fiction that followed, but it never met its equal.
Though it was first published in 1940, it wasn’t until a reissue 25 years later that Stead’s novel was recognized for the masterpiece it is — the greatest picture ever of the lousiest family of all time. Sam Pollit is an exhausting monstrosity of a husband and father, not always cruel, but always self-regarding — “Sam the Bold” is his name for himself — and self-deluding. (He’s anything but bold.) His wife Henny, the one he barely speaks to, is nervous, self-pitying and neurotic, the kind of mother who steals from her children’s piggy banks, diverts herself with a half-witted boyfriend and devolves into a sniffling hag. Their children, six of them, are appalled witnesses to the spectacle of their parents’ collapse and the helpless recipients of their toxic attentions. Stead, an Australian with a wonderful style, both headlong and sturdy, is fearless in her depiction of the Pollits and more compassionate in her judgments than you or I could ever be. When you know how heavily this novel was based upon her own childhood, that compassion seems even more remarkable.
The Foo Fighters captured five Grammys and Adele won four, including the song of the year trophy for “Rolling in the Deep,” at a Grammy ceremony that had the difficult task of celebrating music’s best while mourning the loss of one of their greatest, Whitney Houston.
From Nicki Minaj’s Red Riding Hood getup to Katy Perry’s head-to-toe blue ensemble, TIME rounds up some of the best (and worst!) sartorial choices at the annual music awards show.